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Soundscape composition

Stefan and John collaborate on the creation of a track that is derived entirely from a simple remixing of a purely acoustic recording of the wind playing harmonics, or aeolian sound, on the đàn đáy. This acoustic phenomenon creates dense clusters of harmonics, and their natural sound captured with acoustic microphones in the đàn đáy are paradoxically reminiscent of modernist electronic music from the mid-20th century.

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from Isolation Journal, released July 3, 2020

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John Oliver Vancouver, British Columbia

electronic and soundscape music projects, ranging from classic musique concrète, to granular synthesis, and dark ambient. My instrumental and vocal music appears on several other labels and compilations. See my web site for details.

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