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Soundscape composition

John Oliver uses material from Stefan's second and third improvisations as the basis for a 36-note sampled instrument that places the đàn đáy in a very reverberant space. The wind and the low notes are mostly gone. The focus is on the melodic bending and the simple plucks. Like the original, there is a multi-layered approach, especially toward the end.

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from Isolation Journal, released July 3, 2020

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John Oliver Vancouver, British Columbia

composer, guitarist and electronic musician. The music here is mostly electronic, soundscape music projects, ranging from more classic musique concrète to granular synthesis and dark ambient. My instrumental and vocal music appears on several other labels and compilations. ... more

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